As co-authors, we’re often asked the “how” of writing together. People are curious about our process. Fortunately, both of us are solidly in the middle of the pantser/plotter road. We begin by talking about the central idea of our book then narrow that down into a solid premise. Before we type the first word, we…

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A familiar axiom of writing is “show, don’t tell”. We hear it everywhere: from teachers, in articles, in writing workshops. For a long time, I had no idea what it actually meant. What do you mean, don’t tell? Aren’t we storytellers? My natural inclination was to sit down and tell what happened; hovering above my…

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While cooking up the storyline for The Last Mrs. Parrish, some of the most fun we had was bringing Amber Patterson, our antagonist, to life. Actors often talk about how exciting it is to play the villain — it’s also exciting to create a villain for the page. ♥ Only a few paragraphs in, it’s…

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            At Thrillerfest 2012, I had the pleasure and honor to meet and hear from the best in the industry. A variety of topics were presented on the craft of writing including: Crafting a Story Outline, Finding Your Storytelling Voice, Creating Mind Blowing Twists, Creating Compelling and Complex Antagonists, as…

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What Circle Dance means to me When my sister and I first agreed to collaborate on a story, we constructed one similar to what we loved to read at the time—stories about women, their emotional lives, and the choices they make in life.  Our first characters were three sisters—beautiful, blonde, rich, and American.  The story…

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Everyone needs a room of one’s own – at least according to Virginia Woolf. Whether this is a literal or metaphorical dictum is open to interpretation – the state of women’s rights in Woolf’s day vastly different from today. Still – the idea that a dedicated writing space was integral to my success as an…

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People often ask me – “How do you write a book with another person?” When my sister and I decided to work together on Circle Dance, we didn’t know the answer to that question. I bought a book (“How to Write and Sell Your First Novel”, by Oscar Collier), read it, and proceeded to follow…

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I can’t pinpoint the exact moment the paradigm shift occurred.  The transition from traditionally published author to an independent one marked the beginning of the change. When my first book was published, the overwhelming feeling of vulnerability I felt shocked me. A part of me was sitting on that bookshelf for anyone to see and…

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    We all have days when we sit down to write and the words flow fast and furious while our fingers race to keep up. But what about the days we approach our writing time with eager anticipation only to find that we have nothing to write? Our story is stuck. Our prose is…

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  I’m inclined to agree… I was a little upset… It was almost too much to bear… He was kind of difficult… She was barely passing… She was practically salivating… These limp descriptions are the tepid water of writing – the equivalent of a timid hand raised half way with no real expectation of being…

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